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Perhaps the most powerful political statement from a Met Gala attendee-at least in terms of taking concrete action-came courtesy of Formula 1 driver Lewis Hamilton. Still, cheering as all that may be, what feels the most important is seeing celebrities use the platform afforded by the global press coverage at the Met to advocate for, and build visibility around, a political that matters to them. While it’s never been unusual for political figures to walk the red carpet-just take Hillary Clinton’s appearance at the 2001 gala, tied to an exhibition on Jackie Kennedy’s White House wardrobe-it feels like there’s been a turning of the dial towards more explicit political messaging recently. Sure, the theme of each year’s exhibition provides a guide: from the renegade looks that marked 2013’s “ Punk: Chaos to Couture,” to the flounce and flamboyance of 2019’s “ Camp: Notes on Fashion,” to the “ gilded glamour” of this year’s gala, celebrating “ In America: An Anthology of Fashion.” But as the years have gone by, and the spotlight has grown ever more intense, stars with a forthright political outlook have recognized the night as a forum to share their principles and fundamental beliefs through clothing. Caroline Aaron (“Marvelous Mrs.When the Met Gala was first established in 1948, it was mainly as a means to raise money for the Metropolitan Museum of Art’s Costume Institute-a mandate that remains to this day-although the fact that New York’s great and good also enjoy an opulent night out didn’t hurt its success either.Īs the Met Gala has evolved over the past few decades from a soirée enjoyed by a rarefied corner of Manhattan high society to one of the most hotly anticipated celebrity events of the year (now closely watched by onlookers all over the world), the style prerequisites for the red carpet have changed.
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Watch our lively chats with Andie MacDowell (“Maid”) and over 100 more performers, showrunners and crafts people, including… Tori decided to play her shot in the dark, but it came up “not safe.” Since the other four verbally voted for Tori, she became the third member of the jury. It was their way of showing people at home they didn’t want to advance to the next episode based on the so-called “race card.” Since Jonathan was also safe because of winning the immunity challenge, that meant only Lindsay or Tori were eligible to be booted. In the end, both ladies played their hidden immunity idols. Let’s play.” Click here to see how the entire discussion unfolded. “I knew it was coming for me, so f*** that. That is my line.”Īn emotional Drea declared that she would be playing her idol, so the group would have to come up with an alternate plan anyway.
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So like, we can figure something else out, but morally I cannot write her name down. If I write Drea’s name right now, that means that I am part of a perpetuating problem … I can’t do it. ‘Survivor’ is also about bringing the big social world into a small thing. ‘Survivor’ isn’t just about strategy, it’s not. Maryanne then spoke up for the entire group to hear, explaining, “I write Drea’s name down, that’s three Black people in a row. I walked into tribal, I saw two Black people. “I can’t write Drea’s name down ,” Maryanne told her allies Lindsay Dolashewich and Tori Meehan. But all bets were off after Rocksroy took a seat on the bench. Heading into tribal, Jonathan Young‘s plan was to boot out Drea because she had a hidden immunity idol (he wasn’t aware she actually had four advantages). When the second group entered tribal council, Drea and Maryanne Oketch both had strong reactions to seeing Chanelle and Rocksroy on the jury, and it sparked the emotional and informative discussion that went beyond the game. The first group voted out Rocksroy Bailey, making him the second Black person eliminated in a row after Chanelle Howell last week.
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SEE ‘Survivor’ deaths: Full list of castaways we’ve lostįor those that missed the episode, the specific moment came after host Jeff Probst split the remaining 10 players of “Survivor 42” into two groups of five.